Monday, October 12, 2015

Fullmetal Alchemist: Brotherhood

every time i go through various anime related discussions, there has got to be one predominant title that is always mentioned, especially when it comes to listing out highly acclaimed series. yeah i bet you already guessed it, it's none other than fullmetal alchemist: brotherhood (fma:b)! the series immediately holds its own throne of mass popularity ever since it got released. at first i was a bit apprehensive that i'd get overhyped while going through it, but the series proved that all the massive talks surrounding it aren't simply blurted out of the blue. so does fma:b deserve the position it holds as one of the, if not, highest rated anime of all time?



it feels like there's a universal law in shounen class that requires notorious titles to pull a plot where the main protags are born from legendary and powerful fathers that are either gone or missing (e.g hunter x hunter, attack on titan). this time around, fma:b is also one that carries the notion. it follows a journey of the Elric brothers to gain back their original bodies after carrying out the ultimate taboo in alchemy: human transmutation. ever since their mother died from a plague, they've been struggling to bring her back to life using various prescriptions yet it backfired in the end, causing the elder brother, Ed, to lose his limbs and Al, the younger one, to lose his entire physical figure. their adventure to find the mythical 'philosopher's stone' which is rumored to be so powerful it can bring 'the dead' back into life eventually leads to a riveting trip that involves a lot of people and conflicts along the way. this is the vital element that makes fma:b standout, it introduces a handful of characters throughout the course, but each of them appears with remarkable strength and personality that make them exceptionally noteworthy. it varies from an arrogant colonel who also serves as a talented tactician, a young prince who appears to be silly yet holds a strong devotion for his clan, a vengeful macabre survivor, up to a highly combative "ice queen" soldier. literally no one that's ever introduced is left out because they all carry important roles to complete the progress of the story, even the minor characters.

speaking of story, fma:b breaks the dogma of action series with lack of deep plots. out of all 64 episodes, not a single one of them roles as a filler. they're heavily packed yet not draggy, and they're perfectly paced with proper intensity measures. the only drawback is i was slightly bugged by the slapstick-styled jokes at the beginning, it felt too much and didn't fit into some serious sequences, but thankfully as the story progresses it goes more balanced throughout. fma:b portrays a really dark theme with hefty political nuances, yet at the same time it offers interesting twists in every corner that easily hook the viewers' attentions. as an author, Hiromu Arakawa clearly put a profound research to bring up the theme of alchemy and historical views that are often taken from literature works. the idea is then supported with great animation, especially the fighting scenes that are choreographed extremely well they surely will take you to the grip of your seat.





fma:b indeed excels in extensive factors such as plot quality, story telling, and even voice acting. it doesn't only provide entertainment to its viewers but also numerous lessons about love, compassion, humanity, and of course life itself. it's definitely not the kind of series that will be easily forgotten after many years have passed, hell, not even when it eventually comes in term as being an old school classic. i believe it's nearly impossible to classify a single title as the best anime since every viewer's taste is relative and is comprised of varied interests, but good thing about fma:b is it has genuine appeal to broad audiences, for it holds a complete package of not only an enjoyable show but also another step to explore favorable values in real life. as a magnificent work, this one is too good to be missed.

Thursday, October 8, 2015

Cowboy Bebop

i think it’s safe to say that 90s anime series always have their own ways in being true classic. i grew up with bucket tons of titles that used to live up my sunday morning, like sailor moon, doraemon, magic knight rayearth, and the list goes on. after years went by, i finally finished another title that might be considered legendary for so many elements it embodies. it’s none other than cowboy bebop.



the first thing that hooked me up with this series is the soundtrack, which is composed by the genius and super talented yoko kanno! yes, i literally shrieked on my seat when i found out that she did the entire scores for bebop, I MEAN IT’S THE ALMIGHTY YOKO KANNO who’s able to magnify any anime episode into gold with just a touch of her pinky finger. the versatile composer successfully combined dynamic jazz with country music as the major theme that enveloped the entire series in general, as well as giving it a standout characteristic on its own. guaranteed, i wasn’t let down the least bit by the atmospheric tunes that flow really smoothly with all the scenes that follow.

story wise, cowboy bebop offers a tale of bounty hunters and their course in hunting down potential 'fish in the sea' for a living. sounds pretty cliche, but the value is apparently more than it seems. despite of pulling an episodic framework that's singular in nature, each episode gradually digs the major characters’ traits, personalities and emotions very well. it flows with a really nice dynamic which eventually develops a unique bond that i barely thought i would fall for. also most of their dialogues are crafted in realistic manner which fits the mood even better. last but not least it's all entwined with a journey to reveal one's identity and their struggle to embrace the past and present. this concept is also symbolized through the eyes of spike siegel, the major protagonist. he lost one of them to an accident, and since then he's been seeing the past with one eye and the present with another. at the end of the series you will be served with a vague query; if living life feels like watching a bad dream then would it be better to end it right away or continue trailing down the road that might lead to somewhere unpredictable? tough question, yet cowboy bebop answers it perfectly, with an episode finale so magnificent it's almost unbeatable to be replaced even with any other alternate idea. it's haunting, dreamy, yet satisfying.

despite of the limited 90s animation, cowboy bebop is capable to defy all of its generic flaws. the action motions are rich and crisp, with incredible details that fit into the space theme necessities. it's like hopping into a thrilling spaceship journey with some touch of john woo's movie elements in one go. some episodes have kinda tacky names though ('boogie woogie feng shui', anyone?) and felt a lot like fillers (who would have thought an expired lobster in the fridge could create full 20 minutes of deadly trouble?) but strangely they're what made each of them feels remarkable. cowboy bebop surely stands tall above the littlest defects it has, and that fact alone simply sums up why it is a staple classic. see you space cowboy, thank your the memorable adventure that you have brought us into.


Monday, September 7, 2015

shame on you. shame on me. shame on us for falling into this foolish tragedy
there's a lot to pay for a cheap thrill and we were too naive to play a game that we both knew very well we would lose in the end. pretending is easy yet when it comes to say goodbye our bodies immediately transformed into tiny particles that are never destined to float into the directions we ever desired. i've lost count of the number of times that i have found and lost you but even now i still keep you in mind. we are grown we don't need to be saved it's tiring to run in a circle trying to cheat on fate over and over so i'm placing these pills under my tongue the faster it disappears the better i crawled out from fear.

my voice echoes loudly throughout the sky and in that moment i can no longer tell whether i laugh or cry